
Mom Jeans.
Best Buds
442M+ Spotify streams
Drums and bass recorded at The Panda Studios by Ryan Ellery. Full album engineered by Ryan Ellery; not all of it tracked here.
Every record here has a meaningful connection to The Panda Studios. Some were produced and recorded here from start to finish. Some came through Panda for specific tracking, mixing or mastering. Some were made by artists who brought their own production team and chose Panda for the rooms, gear and facility. Every card tells you exactly who did what.
A curated set of the records that best show what happens here, not the whole history. Filter by the work Panda did, then narrow by engineer if you want. Every card names the people who actually did it. The full catalogue is on Spotify.

Best Buds
442M+ Spotify streams
Drums and bass recorded at The Panda Studios by Ryan Ellery. Full album engineered by Ryan Ellery; not all of it tracked here.

Colourmeinkindness
RIAA Platinum: "Covet"
Sam Pura

What You Don’t See
#46 Billboard 200
Sam Pura

Proper Dose
#19 Billboard 200
Sam Pura

Self-Titled
#23 Billboard 200
Sam Pura

Under Soil & Dirt
Sam Pura

The Finer Things
#2 Billboard Heatseekers
Sam Pura

Promise Everything
#1 Billboard Heatseekers
Sam Pura

Puppy Love
66M+ Spotify streams
Engineered and mixed by Ryan Ellery, with work done at The Panda Studios and their own Lafayette setup.

Trouble in Paradise
37M+ Spotify streams
Mixed and mastered by Sam Pura

How Flowers Grow
Produced, recorded, mixed and mastered by Charles Toshio

Nothing Is Beautiful
Engineered by Sam Pura

Rare
Sam Pura

Burning Desire to Draw Last Breath
Tracked and mixed by Charles Toshio. Mastered by Brad Boatright at Audiosiege

Sunami LP
Produced, recorded, mixed and mastered by Charles Toshio

Wolves Within
Self-engineered by Trent Hafdahl, Justin Lowe and Anthony Notarmaso

DEATHWESTERN
Sam Pura, Theresa Brown

Mother Nature
Sam Pura

Forever Foggy
7M+ Spotify streams
Mixed and mastered by Sam Pura

The Harvest Wombs
Sam Pura

The Will to Survive
Sam Pura

SPICE
Sam Pura

Viv
Engineered by Jack Shirley. Additional engineering, additional production, mixing and mastering by Sam Pura. Additional recording, vocal editing and mix assistance by Theresa Brown

Contender
Sam Pura

Distancing
Sam Pura
Not a ranking, just records where the story behind them says something about how this place works.
The Story So Far had already made Under Soil & Dirt at Panda. When they came back for What You Don’t See, the studio became an even bigger part of the record. The band leaned into Panda’s rooms, amps, cabinets, instruments, and recording chains rather than arriving with a predetermined collection of their own gear.
Those choices helped create a sound that became closely associated with the band and, eventually, with a new generation of pop punk. It is one of the clearest examples of Panda being more than the place a record was recorded. The rooms, gear, and production decisions became part of the identity of the record itself.
Basement flew from Ipswich to Fremont to make Colourmeinkindness at Panda in 2012. While the album was being made, the band announced an indefinite hiatus. That gave the project a completely different weight. Sam genuinely believed this might be the final Basement record, and felt a responsibility to make it count.
Then the unusual thing happened. The band stopped. The record didn't. Colourmeinkindness kept growing while Basement was inactive. The band eventually returned, the audience became substantially larger, a new generation discovered the record, and nearly 14 years later the song “Covet” went RIAA Platinum.
When Best Buds was made, Ryan Ellery was an engineer working out of The Panda Studios. Ryan engineered the record, with the drums and bass recorded at Panda. The album went on to become one of the defining independent emo records of its generation, accumulating hundreds of millions of streams.
It is a great example of Panda’s history being shaped by different producers and engineers, each bringing their own approach to the rooms and making records that continue to matter years later.
Some records need to be captured. DEATHWESTERN needed to be built. Sam Pura took a deeply hands-on production role from the beginning, even bringing in his “best friend” Thomas Pridgen to play drums, reshaping performances and arrangements, and pushing the record wherever it needed to go. Panda’s rooms, gear, and team became part of that process, with nothing treated as fixed just because it had already been written.
The result is one of the clearest examples of production at Panda going all the way. Released by Century Media and named Stereogum’s Album of the Week, DEATHWESTERN eventually took on another life too: its sound became the foundation for the DEATHWESTERN plugin, turning the production itself into a tool other people now use to make records.
Hundredth had already started pushing against the boundaries of hardcore, but Rare was the point of no return. The band rebuilt its sound around atmosphere, melody, texture, and an entirely different production language.
It is one of Panda’s clearest examples of production being more than improving what a band already does. Sometimes the job is helping an artist figure out what they are supposed to become next.
Charles Toshio has built a serious body of work out of Panda with bands like Scowl, Sunami, Gulch, SPY, World Peace, and many others, helping shape a new generation of Bay Area hardcore in the same rooms that have been making records for decades.
That is part of what makes Panda what it is. The studio has never belonged to one sound, one era, or one producer. New engineers bring their own taste, their own relationships, and their own records into the building, and the history keeps growing from there.
Artists who have recorded, rehearsed, performed, filmed, or otherwise worked at Panda, including Waiting Room live sessions. Listed as facility history, not as production or engineering credits.
Tell us what you’re making and we’ll tell you what it takes to make it here.
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