Isolation Room
12' × 12', 12' CEILING
Cabinets and pedals live here. Push amps as loud as they want to be while the band plays together in the live room. No bleed, no compromise, no headphones-only performances.
Every room at Panda was built for a different kind of work, and they can run at the same time. Track a band in West while vocals happen in East and edits run in Baby Panda.
This is the room. What You Don’t See, Colourmeinkindness, The Finer Things: if you know a Panda drum sound, you have heard this live room.
A 14-foot ceiling, acoustics designed by Jeff Hedback, then built and obsessively refined by Sam Pura around the records made here. The "Drumbrella" moves the kit from tight and controlled to wide open without touching a mic stand, and the amp collection lives here too, which is how the wall of guitars gets built.
Panda West is also built for extremely fast tone decisions. A custom iPad control system can switch between eight amp heads and eight cabinets running simultaneously, letting us audition combinations instantly instead of spending the session repatching gear. That keeps tone hunting creative. The performance stays identical while we move through radically different amps and cabinets until we find what actually belongs on the record.
A complete second studio with its own live room, not an overflow space. East runs full sessions independently, and it's where a lot of records actually get made when a band wants the Panda sound at a working-band rate.
It's also the synth room. Analog synthesizers, drum machines, and enough character to build a whole production without touching a guitar.
Every room at Panda is calibrated to the same standard, so work moves around the building without losing quality. Baby Panda handles everything that doesn't need a large live room: vocals, DI guitar and bass, writing, programming, editing and overdubs.
That calibration is the point. A vocal cut in here sits alongside one cut in West without anyone hearing the difference, which means a session can run in parallel across the facility instead of queueing for one room. Solo artists and producers use it as a home base; bands use it to keep a record moving while the big rooms are working.
Shreya Ghoshal recorded in Baby Panda with producer and engineer Sanjoy Deb, who produced the track and engineered the session.
Watch the session →“Great session... incredible gear.”Sanjoy Deb
A studio is more than its control rooms. These are the spaces that let sessions run long, get weird, and stay comfortable.
12' × 12', 12' CEILING
Cabinets and pedals live here. Push amps as loud as they want to be while the band plays together in the live room. No bleed, no compromise, no headphones-only performances.
NATURAL REVERB CHAMBER
Storage, loading, and the studio's secret weapon. The raw concrete volume makes a reverb you can't plug in, perfect for gang vocals, ambient overdubs, and the sound of a room that's genuinely big. It is also where the workbench lives, serving all three rooms: intonation, action, truss rods, soldering. Useful infrastructure and a genuinely weird creative space at the same time.
20+ YEARS OF RECORDS
Every record made in this building goes on the wall. It's the first thing you see and the reason a lot of bands drive a long way to get here.
CAN’T MAKE IT TO FREMONT?
If you love the sound of these rooms but can’t physically be here, we made a plugin so you can take a little piece of Panda with you. Panda Rooms captures the character of the studio’s spaces so you can use them on your own records, wherever you are.
Most studios end at the door. Panda has beds, a shower, a fridge, a microwave and a coffee machine, so a band travelling in doesn't burn budget on hotels or lose the thread driving back and forth every day.
You wake up where you're working. If an idea shows up at 2am, the room is right there and the building is soundproofed, so nobody's asking you to stop. Fremont has a huge amount of food nearby and every delivery option you'd want, so the only thing you have to think about is the record.
Sam on treating a mix as a creative process, not just a technical one, and what listening to pop production teaches a rock engineer.
Read → Sonarworks Studio Stories: Sam PuraOn being pigeonholed into pop-punk despite a much wider range, and why he's a believer in mixing through analog tape.
Read → URM / Nail The Mix A Masterclass in Production WorkflowDrum tuning to the key of the song, tracking guitars off a clean DI, and why Panda runs like a plug-and-play production facility.
Listen → The Sonic Truth A Conversation with Sam PuraA long-form 2024 conversation covering drum recording, the Bay Area scene, mastering, and building Purafied Audio.
Listen → The Self-Recording Band Noise PerfectedA 2024 conversation on making uncompromising records that stand the test of time, and the philosophy behind The Panda Studios.
Listen → RecordingHacks The Microphone-Changing RobotA look back at one of Panda's earliest custom builds, remotely repositioning a mic on a guitar cab via joystick from the control room.
Read →Visits are by appointment, since sessions may be running. Reach out and we'll find a time to show you around.
Book a Session →